Muddy Waters and Little Walter.
Currently I am really getting a buzz from listening to Muddy
Waters’ upbeat blues piece ‘Trouble no more’.
It has been lurking around in my subconscious for a very
long time and then I started listening to it more carefully. The
supporting line-up features Little
Walter on harmonica, Willie Dixon on bass, Otis Spann on piano, Jimmy Rogers on
guitar and Francis Clay on drums. All were part of the house set-up inside the
Chess studios; a dream team if ever there was one.
Not only is this a foot-tapper but it’s got attitude. Little
Walter’s amplified harmonica lurks underneath and occasionally burst forth to
strike a specific emphasis. This to me shows how a skilled harp player works
with the music without jostling for precedence.
Then I discovered an earlier origin for this piece. Muddy
recorded it in 1955, but twenty years earlier Sleepy John Estes recorded his
version of the same song under the title ‘Someday baby blues’. Estes version is
slower and to some degree more soulful and mournful; it’s a lament, a howl in
the dark. Whereas Muddy Waters almost makes it a celebration.
Estes version is very ‘country’ based blues, but the harp
plays a prominent role in setting the tone. You can feel the hurt all the way
through it; the vocals and the harp hit exactly the right tone. (Harp player is
Hammie Nixon).
I always set up to listen to these contrasting tracks back
to back.
Mississippi Fred McDowell also has a wonderful version.
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