Another new discovery.
Now I’ve always liked Steve Earle. I loved the ‘Copperhead
Road’ album (particularly ‘Johnny come lately’ with the Pogues). He seemed to
be the rougher, grittier edge of what I understood as country music. Steve
Earle also made a decent fist of trad Irish music by writing ‘Galway Girl’.
Lots of people think it’s an old song but it was actually penned by Earle when
he was living in Ireland and working with Irish musicians.
But this new ‘Blues’ album is a different thing
altogether.
There is an obvious clue in the title ‘Terraplane’.
Reference to the old Robert Johnson song ‘Terraplane Blues’, in fact “ol’ Bob
Johnson” gets a name check on the album.
Earle is obviously a believer of the concept that to sing
the blues you’ve got to know the blues. Wrapped into the lyrical content of the
album it’s easy to discover regrets, hard times, relationships broken, which is
a pretty close reflection of what Steve Earle has been through in these last
few years.
There are some sparkling tracks on this album; the pace
changes constantly; it’s not all gloom and doom and certainly not all
traditional 12 bar. ‘The Tennessee Kid’ is a spooky hard hitting epic growl
retelling the Crossroads legend using the language of an earlier age. ‘Go Go
Boots Are Back’ is a foot tapping rocker with a meaty guitar solo. ‘Ain’t
Nobody’s Daddy Now’ is a freedom anthem.
The album is also a showcase for his musicians, ‘The
Dukes’, some really impressive stuff going on with this band.
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